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Bryan Cranston Daughter Taylor Dearden Opens Up on ADHD and The Pitt

Bryan Cranston daughter Taylor Dearden says ADHD helps her lock in on Mel King’s July 4 crisis in The Pitt season 2.

'The Pitt' Star Taylor Dearden Ran Toward a Man's Choking at a Restaurant — Then Thought, 'What's My Line?'
'The Pitt' Star Taylor Dearden Ran Toward a Man's Choking at a Restaurant — Then Thought, 'What's My Line?'

says her return to felt easier the second time around, but the July 4 shift her character, , works on screen is anything but calm. Mel worries about an impending deposition tied to ’s measles case, then learns her sister has been hiding a boyfriend for the last six months, sending her back in front of the lawyers at exactly the wrong moment.

“Filming is much less terrifying,” Dearden said, adding that “we know what we’re doing a little bit better.” That steadier footing matters because Mel is written as a young resident who is usually relentlessly chipper, then suddenly has to juggle professional pressure and family upheaval in the same stretch of a holiday shift. Dearden is ranked fourth on ’s supporting actress leaderboard, a measure of how much her performance has landed with viewers.

Dearden said the role also clicks with her own experience of ADHD. “For me, with ADHD, I can lose track of everything else in my life and just focus on what’s in front of me,” she said, describing how she can zero in on whatever is worrying her, or, if she starts gardening, “I can only see the gardening.” A doctor once told her ADHD can feel like “a Ferrari brain with tricycle brakes,” and she said neurodivergent people can have a real ability to block out everything except the thing they are passionate about. “Everyone neurotypical is a Honda Accord,” she said. “They run a certain amount for a long time, but we run really fast but there’s something about it that we can only focus on one thing at a time.”

That focus helps explain why Mel keeps moving even when the day turns ugly. The character’s parents both died while she and her sister were young, and Dearden said, “Being an orphan at 23 is not how it’s supposed to go.” She added that Mel seems driven by a kind of survival mode, with “she’s got to get through the day — has to, has to, has to,” and that she is “just always finding the need and fulfilling the need.” In other words, the difficult July 4 shift is not just a bad day for Mel; it is the place where the character’s grief, discipline and reflex to keep going all collide at once.

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